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Which versions of La Folia have been written down, transcribed or recorded? The purpose of this page is to make it easy for printing the entire listing of composers (so no fancy colors here but only black letters, and hyperlinks are just underlined to distinguish them easily in printed form), or to search a particular word or phrase in the browser (in the menu-browser: edit, search). The last function can also be achieved by the Pico search-facility of the (where the entire site will be searched for hits) but here all of the context within the realm of the chapter 'alphabetical composers' will be instantly revealed. Which versions of the later Folia have been written down, transcribed or recorded? Anonymous for carillon (in dutch: beiaard) (Ms. 1756) Les Folies d'Espagne (theme and double followed by 12 variations) Manuscript LBII II.

40 (Library of Leuven?)(Folie des Spanie) A small introduction of the carillon as an instrument might be handy because it is not that familiar to a larger audience. The instrument is built around a number of bells in a church-tower and with an ingenious system of levers and wires the player is able to let the differently tuned bells ring using his fist to depress the clavier's wooden keys and his feet to control the pedals. Dynamics is possible because the amount of force applied, controls the loudness. Jeff Davis, the university carillonist of Berkeley, enlightened me about the developments of the instrument: Originally from Belgium and The Netherlands, the carillon is found throughout the world and is experiencing a real golden age at this point in history. There are close to 200 instruments in North America alone, and the performers are frequently superb virtuosi on the instrument. A modern carillon is capable of extraordinary sensitivity to touch and has, in the latter part of the 20th century, become a true concert instrument. There are national schools in The Netherlands (Amersfoort), Belgium (Mechelen), and France (Douai).